SUPERBITCH the THIRD Black Superheroine! (Conclusion)

When Last We Left Our Hot Heroine...

...recruited by the US government to rescue missing astronauts, SuperBitch encounters creepy cosmic perils as she retraces their route...

Sadly, this was SuperBitch's only appearance!

Written and illustrated by Ira Harmon in his only print comics work, this 1977 book was part of the output of little-known underground publisher California Comics, who specialized in scantly-clad (and unclad) action heroines!

Harmon cleaned-up the art and reissued the book as a free download HERE.

Note: We're using a scan of the original 1977 book, so it's worth your time to check out his personally-remastered version!

And, Harmon has apparently gotten back into the comics field with a new line of digital books at Reaction Comics!

SUPERBITCH the THIRD Black Superheroine! (Part 1)

Bet you don't remember this Black superheroine...and her rather...unique...superpowers!
Considering she appeared only once, in a poorly-distributed underground comic, that's not surprising!

The fun continues here
Wednesday!

Written and illustrated by Ira Harmon in his only print comics work, this 1977 book was part of the output of little-known underground publisher California Comics, who specialized in scantly-clad (and unclad) action heroines!

Harmon cleaned-up the art and reissued the book as a free download HERE.

Note: We're using a scan of the original 1977 book, so it's worth your time to check out his personally-remastered version!

And, Harmon has apparently gotten back into the comics field with a new line of digital books at Reaction Comics!

ONE-FISTED TALES "Lo, If the Earth Should Move!"

In the late 1980s, a parody of badly-done b/w comics punked gullible people...

...and amused the more perceptive among us, so the creators decided to take the parody to the ultimate level, spoofing "Tijuana Bible" comics in Slave Labor Graphics' One-Fisted Tales #2 (1990)!

Writers Gerard Jones & Will Jacobs and illustrators Norman Felche & Mike Christian capture both the youthful enthuisasm and youthful ineptness of many of the inexperienced creators who desperately tried to cash in on the b/w comics craze of the late 1980s-early 1990s.

The tale reads and looks like teenage virgin nerds who read too much Stan Lee and Frank Miller and used How to Draw Comics the Marvel Way as their visual guidebook, wrote and drew it!

Enjoy!